由新加坡導演黃程瀚執導，紀錄米其林二星餐廳老闆江振誠的事業軌跡。講述台灣名廚André Chiang江振誠面對食物、生活皆追求完美的態度，也揭開他捨棄名利、結束新加坡米其林二星餐廳的原委。

节目每期将通过一位“匠心寻访人”的视角，带领观众走进缔造出时代传奇的“大国工厂”，探访传奇背后“平凡而伟大”的匠人匠心。

七个来自城市的年轻人，都是户外摩托车爱好者，他们相约穿越人迹罕至号称“鸟都飞不过去”的古尔古特大戈壁 而他们未曾想到的是，这片看似平静的戈壁中隐藏着巨大的危机。 因为一个指路牌，七个人在戈壁里的一个岔路口走散了。佳一（谢宜 饰）、小北京（那临 饰）、眼镜（杨海超 饰）三个人寻找同伴时，却意外遭遇了戈壁里的另一群人——盗矿者。与这三个人的不期而遇让盗矿者感受到了威胁，一场追杀在苍茫的戈壁滩展开…… 而其余的四个人，天山（邵兵 饰）、强子（彭波 饰）、优子（李明 饰）和买买提（伊利亚尔·阿不力米提 饰）全然不知已经发生的事，他们在戈壁中漫无目的的寻找着失散的同伴。直到遭遇了一个持枪人的袭击，才让这几名年轻人意识到这片戈壁无人区里原来还有别人。 没有手机信号、同行伙伴失散、接二连三的受到偷袭，让他们意识到只能靠自己拯救自己。 然而，更大的问题是，他们不仅要面对来自未知的袭击，还要不断面对自己的绝望、痛苦与恐惧。 面对鲜血与杀戮，这些年轻人决定战胜自己的恐惧，绝地反击，一切只为生存而战……

闺蜜艾娃(多米尼卡·克鲁兹尼亚克)和玛雅(玛雅·荷史)认为她们在每日乏味工作、苦恼的孩子和讨厌的男人中举步难行。于是决定忘掉这一切，去一家高级休闲会所来点个人休闲时光。在那里，她们遇见了以为美丽的按摩...

[Iwanttobewithyouevenifit'sforonenight.Icandothat.Ithinkthat'showI'lllive.Don'tyourememberwhoIam???Min-ahfindsherselfonastranger'sbedwhenshewakesup.She'shandcuffed.StrangerNam-gyuwasnexttoher.Iwanttoletyougobutmyheartwantsyoutostay...Iknowitmightbetoughbutstayherewithme...What'syournamestranger?Sorrybut...]

花城发生命案，警探林枫发现魔术师 Michael有重大嫌疑。原来，当年黑老大孟广海杀害Michael父母，利用法规漏洞侵吞公司资产， Michael借魔术展开复仇。林枫成功破案，并促进法规完善。

刘伟立与宛芬夫妻恩爱. 芬贪慕虚荣, 得知立快升任副理, 便粉饰家居, 分期付款购买电器及家具. 为了升职一事, 夫妇俩不惜大拍董事长一家马屁. 结果, 副理由董事长儿子担任, 立、芬只好眼巴巴看家里一切给债主搬走. （来源：香港电影资料馆）

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

在海南海口，老街的居民们依然过着悠闲的生活。经营咖啡馆的老林遇到了久未谋面的儿子的朋友，快递员席展发现了自己的房东老万无法说出口的秘密，来海南养老的退休干部老韩拉着儿子寻找自己的宠物八哥，拍了一辈子照...